Archives for category: Fine art

For the past few years i have solely been photographing in black and white. Well actually i must confess the odd color roll of film that i have shot has sat forgotten in a container at the back of the fridge, or my last pack of fp100c through the Polaroid. But for the most part, i have “seen” only in monochrome. My wife, Jess had been bugging me since our (almost) 3yo was born, “I want you to get color photos of the kids!” Finally i relented and so became the owner of a black Leica M240, (my compromise on giving in to color). I have always liked color photography and especially the work of Saul Leiter, William Eggleston, Gregory Crewdson etc, so that film / cinematic look really appeals to me and what i had looked to achieve for my own photography.

The main reason i cut color out was to concentrate on the basics. I started to really look at composition, form, content and all the technical aspects of photography, shooting in a documentary fashion and so black and white appealed to me. I could also develop my own black and white film at home in the laundry whilst color film, being more sensitive to temperature during development, made me hesitant to try it myself without some further investment in gadgets to control it.

Back to color and actually to a book that i have been reading “Warbreaker”, by Brandon Sanderson. Color is a kind of magical element in the novel, with the amount of breath one holds and life being associated with vivid colors and being able to experience the full gamut of hues and subtleties in a color. Any way, great book, read it, it got me thinking more of color and then photographing color.

So to photographing in color again! I didn’t realize just how much i had tuned out of seeing color in my photography. I saw only tones of grey, subconsciously converting what i had been seeing with my eyes into how it will look in monochrome. I had been conscious that i was doing this a number of times when abandoning shots because without the color that first attracted me, i realized the image would have just been a bit boring, lacked something. So i had to think of how to build images, what are the elements that i want to have in my images? First i need to find something that interests me, the subject, maybe its just the feeling from an abstraction, maybe its something going on, portrait or an actual object. Then i have to put it into a composition, where to place it, depth of field, leading lines, layering, sub framing, aspect ratio, portrait or landscape, viewpoint. Then the lighting obviously, the exposure, the technical camera stuff on how to capture what i want. Finally, what i had been neglecting was the color, can it be used to separate objects, layers, add mood, highlight a subject etc. I know that before i decided to shoot monochrome, i had never really thought about color in this way, it was always there, in the frame but ignored. Now i feel like i see color in a more vivid way, with autumn here at the moment the colors were so obvious to me on my first walk out of the house with the new camera and new ability to capture it that i have just been on a bit of a color bender lately!

Follow my monochrome work on instagram @abyssic_wizard and my new color work @michael_jolliffe. I am also a member of @videre_collective.

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Went on a hike Saturday morning from Perry’s Lookdown to Blue Gum Forest in the Blue Mountains. I decided to leave my tripod in the car as it was pouring rain, the tripod is pretty heavy and the track is hard grade, being steps down a cliff into the valley then back up. I was determined to go however, the conditions meant it was quite dark, i was unsure if i would be able to shoot the xpan. I had the 30mm with the center corrective filter, the widest aperture is f5.6, with the center filter it is effectively an f8 or so. I decided to load hp5 and push to 1600 in development to be able to give me a usable shutter speed range of 15th – 30th/sec due to the available light. I thought that i might not be able to achieve much but shot two rolls before i was forced to pack away the cameras from being drowned. I’m glad that i didn’t give up, here are some shots from the two rolls i shot. Developed in xtol stock for 13mins.



michaeljolliffe.com

Videre is the title of a new photographic collective that i have recently joined with five other Australian photographers. It will give me a chance to get my work seen and delve into the world of self publishing, with a zine that we are planning to be something special. A fluster of a weekend had me jamming hours into saturday morning to see me out collecting light on the city streets. Meeting with Ess to chat Videre and practice seeing. Videre means to see, to perciece and to look. Here are few shots from Saturday…


www.michaeljolliffe.com

www.viderecollective.com

www.instagram.com/videre_collective

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I had just finished my first bnw home developing of 2 rolls of 400tx last night and amazed that it all came out great. This image is my favourite from the batch off of the Nikonos V. The bottle opener was for opening beers 🙂

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www.michaeljolliffe.com

At the start of the year traditionally people reflect on the year gone by and take some time to look at what they want to achieve for the year ahead. So what do I want to work towards in terms of my photography? I want to capture more meaningful and narrative images consistently. Throughout the last year I have worked hard on creating images regularly and of a consistent quality however I feel that I would be happier with fewer, far more meaningful images. I have definitely found myself more comfortable working in black and white, shooting on film and with a 35mm lens or equivalent. I find myself gravitating towards high contrast black and white images and want them to include more narrative, more layers. I have recognised a series that I want to further develop in the theme of myself included in reflections / shadows in my street photography and would like to put together a small self published book for myself containing my best images for the year. I would like to take some workshops and start working on some more conceptual photograph series that I have in my mind. My ultimate goal is to set myself up ready to exhibit some of my photographs as fine art for the next year. And that about wraps up my goals for the year, I think they are definitely achievable and I will have to work hard on developing projects and concepts that will hopefully be interesting and have artistic merit. I guess we will see how far I get in the year ahead! Happy New Year, I hope you achieve all that you set your mind on! – Michael Jolliffe.

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www.michaeljolliffe.com

Since I had discovered my passion for photography my sole focus was on how to make it into a career before I quickly realised that what I liked shooting wasn’t going to start making me any kind of sustainable income anytime soon. I ditched the idea, or rather, put it aside for now and started looking at what I enjoy and making pictures for myself. I like shooting candid street and portraits and have really integrated it into my life. I carry a camera at all times and have found that I’m far happier shooting everyday moments and that you don’t have to go anywhere to really capture something that is special, at least to me anyway.

Since deciding to shoot for myself I feel that I have made a lot of progress in my photography, I have defined what it is that I like and have concentrated on it. I joined the Arcanum, an online mentoring program with street photography as my discipline and I take candid portraits of friends and family whenever I get the chance. I have an Instagram account that I try to upload new material to every other day and it drives me to constantly shoot and refine my technique. Editing is extremely important and I do not enjoy sifting through tons of shots, which forces me to take more time shooting and shoot less but more considered frames. One of the reasons I shoot film and manual is that is really places restrictions on you and forces you to take it easy and think.

Thinking about photography is a lifestyle. All day, every moment, I’m looking and thinking about the light and composition, all day, it’s consuming and I love it.

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Another social media network, Ello.
@michaeljolliffe

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www.michaeljolliffe.com

What I have tried to do is to single out subjects whilst still including them in the environment to have a bit of context to the candid portrait. For me this allows a story to be made by the viewer more easily, drawing on keys in the surrounds and subject to construct a solid story line for the main characters. Shooting much more on film than digital lately. Honing my skills and getting more comfortable with a number of cameras, I don’t think the camera has much of an effect on a final image, I just like the feeling.

www.michaeljolliffe.com

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www.michaeljolliffe.com